It seems only fair to react to a
controversial subject that, according to NDTV.com, has ‘divided the country in
half on Twitter’. And I think I might have a word (or hundred) on the subject.
While, indeed, as crass and politically incorrect as the ‘haters’ make it out
to be, AIB ought to be given their due—they prefaced their shenanigans by
telling us they were working with a format, one that’s been making New
Yorkers—and then, the rest of world—laugh since the 1940s.
There are people who like the Roast as a
concept. And people who don’t. I’m of the latter variety. Taking digs at
someone over and over about one painfully obvious trait seems to me terribly
unimaginative. To see the crème de la crème of the comedy world accumulate in one place to
do so seems even more futile.
HOWEVER.
The AIB Roast was the exception. Not
because it was the best Roast I’ve ever seen (that would be the roast of one Donald
Trump). But because it took the celebs—the very ones we’ve put on a pedestal in
a glass castle—and it made them people. They were being made fun of for being
too slutty (Ranveer), too talentless to function (Arjun), too stupid to know
her ass from ISIS (Alia) and too scared to come out of his walk-in closet
(Karan). Plus, it was actually was quite funny.
I’ve marvelled for years at this country’s
inability to be truly funny on screen. I have tremendous respect for the Zoya
and Farhan Akhtars of the world, who brought wit into the mix in a space where,
in order to be funny, you had to be loud, overtly physical,—and
incredibly careful.
If it wasn’t family humour, it wasn’t
allowed. And if it was going to allude to anything mildly sexual, it needed to
tread so delicately that it often didn’t even make a sound. I kept wondering
how I could meet so many funny Indians on a daily basis, but have to scour the
internet for the likes of a British sitcom (Try Coupling by Steven Moffat) or an
Irish stand-up comedian (Dylan Moran’s Like Totally is a routine worth watching) for my comic amusement.
And the AIB Roast brought the problem into
clear light. It’s too dangerous to be funny—fully, unabashedly, disgustingly
funny—in this country because someone is always around the corner, waiting to be
offended. Even in a situation where you have age and content warnings (like in
this case) and have to 'click on link to view', people lie in wait, daggers
drawn, needing to be upset about something.
AIB, as I gasp for a breath of comic relief in
this world of Comedy Circus type entertainment shows, I reach out my hand (as
far as it’ll go from my desk at work; it’s a lazy day) to you in solidarity. Sadly,
it looks for a while that the only thing you can roast is a consolation
chicken. Good luck and Godspeed.
Well said bro, well said!!
ReplyDeleteHey Saumyaa agree w every word. D film is brilliant. Michael Keaton. Edward Norton, Emma Stone, Naomi Watts, Zach Galifianakis. Each one did such a powerful piece. And another great character was...the music. Like it was telling the story. Every twisty turn. Sheer brilliance.
ReplyDeleteThanks so much Al! I'm glad you liked it. I thought it was an excellent film :D
ReplyDelete